Jon Davis

The Glacier
Issue Four
Winter 2025

Agnes Martin

Who couldn't have done what she did–
those endless straight lines, that rectitude,
that blankness surrounded by form, that
window into nothingness. All you have to do
is say no to the world, no to the visitors,
the banquets, the prizes. All you have to do
is build your house where the world
is mostly empty space, the star-washed sky above,
the desert light creeping over everything
as if to say a full accounting is impossible,
so mark your ledger sheets with vertical lines,
each line a day or a moment, a brief
against change–nominal, liminal, precise.
All you have to do is paint it again and again
until repetition is the pulse–systole, diastole,
the rise and fall, rush of sunlight, cloud-shadow,
darkness–the interminable and necessary rescue.

Anathematica

I hate December nights that go on and on and keep whispering it’s almost dawn. I hate watching people line up for coffee at Geraldine’s, leaning and fidgeting. I hate when I see you following your phone down the moonlit sidewalk. I hate manhole covers and police barricades. I hate noon. I hate post-its and lemons and those turtles that Armando keeps in his bedroom. I hate the time we spend sniffling and stomping at bus stops. I hate the way the cold sweeps in behind us when we enter your apartment. I hate my teens and the malls I spent them in. I hate time, the way it slows then speeds when you want it to speed then slow. I hate people. I hate people and I hate being alone. I hate how my fidgeting feet unplug the computer when I’m in the middle of writing you. I hate the bass-bumping cars and the cars that have nothing but silence inside them. I hate the science of your arrivals, the calculations that appear magically on your wrist and how they take you from me. I hate frozen February and muddy March. I hate holidays that pull me from my desk like a child away from a puddle. I hate the smokers on the fire escape at a Brooklyn party. I hate Brooklyn even when it rains. I hate Weekend at Bernie’s because it is not a remake of Hamlet. I hate Polonius, his officiousness and tragic pragmatism. I hate that we continue to live after failing at love. I hate that I’ll never run out of things to hate. I hate the way your face turns into a Picasso painting when you’re angry. I hate spring. I hate the cherry blossoms that begin falling just when you get used to them. I hate when you open the curtains and let the sunlight begin ruining the rug. I hate when you tell me stanza is Italian for room. I hate the way coffee jolts us with hope every morning. I hate hearing movie music from the neighbors’ apartment. I hate that I have to pretend to like my friends’ poems. I hate when I don’t show up at the party and no one texts me to see where I am. I hate weekends. I hate swans. I hate Central Park, mostly because everyone loves it. I hate micro-brews and earnest conversations. I hate when my imitators say imitation is the sincerest form of flattery. I hate the sunrise because it’s like a wink from someone you don’t know and will never see again. I hate croissants. I hate the beach and I hate leaving the beach too soon. I hate stasis and I hate change. I hate the moon in all its incredulous phases. I hate poems that begin or end with a dream. I hate dreams. I hate people who tell me to accept the things I cannot change. I hate the word cannot. I hate when you say goodbye to someone and then they come back for their sweater. I hate stepping on the only Lego in the room. I hate finding something that isn’t mine and then bumping into the real owner. I hate how the past won’t stay past. I hate the end of the Zoom call when everyone must stare at the screen until someone ends meeting for all. I hate May and the chatter of birds who don’t belong here. I hate when the bar plays Frank Sinatra to let you know it’s too late to do whatever you’d thought you might do. I hate all poets, but especially the gloating poets and the condescending poets and the poets who shake your hand quickly on their way to have drinks with the important poets. I hate when someone says “chin up.” I especially hate movies where a sprightly Brit mock punches someone’s shoulder and says “chin up.” I hate chins and noses and ears and especially foreheads. I hate having to pretend to change the radio station when the homeless man walks his hand-lettered sign past my window at the stoplight. I hate how we all go about our days pretending we’re not going to die. I hate happy endings. I hate people who try to guess my sign. I hate when people you just met tell you something they have never told anyone else ever. I hate summer and knowing people will be nearly naked in public. I hate red shoes and black shoes and the whole institution of shoes. I hate knowing I am mostly empty space. I hate knowing you are mostly empty space, too, though it looks better on you. I hate when a poet says what they mean, even if what they mean is what they hate. I hate Beyonce. There. I’ve said it. I hate ponies and crickets and tadpoles and kittens. I hate myself for loving you. I hate Joan Jett. I hate catapults and pomades and Flexeril and gymkhanas. I hate slippers and modalities and iterations. I hate carports and po’ boys. I hate clear days and days like this when the fog moves in and obscures everything I hate.

Jon Davis is the author of seven chapbooks and seven full-length poetry collections, including, most recently, Fearless Now & Nameless from Grid Books. Davis also co-translated Iraqi poet Naseer Hassan’s Dayplaces (Tebot Bach, 2017). He has received a Lannan Literary Award, the Lavan Prize from the Academy of American Poets, and two National Endowment for the Arts Fellowships. In January of 2024, Davis and poet/guitarist Greg Glazner formed the band Clap the Houses Dark. Their first album, which mixes poetic language with complex rock compositions, is streaming on all major platforms.


Artwork from Eva Bronzini.

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