The Glacier
Issue Two
Winter 2023
The Arrangement
The arrangement seems made to measure. There’s sky in ocean, and water in sky as clouds rain down into waves and foam evaporates. There are also atolls, islands, entire continents, and jellyfish, humans, goats, penguins, ocelots, a universal frenzy of predation, reproduction, and habitational flux. No one knows precisely how to feel about it or how to accomplish or forestall the next arrangement which all sorts of people try to do in mostly incompatible ways— sages, magicians, academics, warriors, politicians, scientists, priests, and maybe even the aliens or angels who infiltrated so long ago from such a great distance that they had to set up an identity check protocol: when they encounter each other on the street, one of them has to say, You’re not from here and the other must respond, You’re not from here, either.
The Work
You must never cease turning hatred back into that pain from which it continually rises, cools, begins to set— keep breaking it up, feeding it like bread to the heart with bare and burning hands, pressing it down, holding it under to re-liquefy, grow molten, glow until the heart complains, I thought you were on my side. Why take pain’s part? It is for love, by far the brighter hurt.
Cat Triptych
The Bite Inside the Cat The bite inside the cat is never absent or inactive; it merely bides its time. The bite inside the cat exists for itself alone, possessing no reverence for its object. The bite inside the cat is not the cat, though neither is it separate from the cat; simultaneously inhabiting each of its hosts it deploys itself bit by bit, patient, sparing, precise, yet if all the cats in all the world were to sink their fangs into whatever is nearest at hand, the universal bite would not be in the least diminished. Night Hunt with Feline By lamplight, she leaps, I swat, stalking the mosquito's outsize shadow, a spindly bristling bundle of darkness that rises and falls as tsunamis of air overflow each resting place it finds. Both of us are equipped with the forward-facing eyes of predators. She attacks because it's in motion and considerably smaller than her; I attack because I abhor all vampires, even miniature ones. In my nightgown and bare feet, she flowing grayly at my side, I finally understand the primal connection, why grown men weep when they lay their hunting dogs to rest in the earth. Tonight, she and I are going to bring this sucker down. Cat in the Garden: Aftermath Surveying the wreckage that had been her web, the spider instructs her brood now scattered through the boxwood shrub like infinitesimal stars: Prey that bulky is tempting but problematic.
CLAIRE BATEMAN is the author of nine poetry collections, most recently, WONDERS OF THE INVISIBLE WORLD (42 Miles Press). Her hybrid collection, THE PILLOW MUSEUM is forthcoming from FC2 in January 2025. She has received two Pushcart awards and a NEA grant, and is the two-time winner of the New Millennium Award in Poetry.
Artwork by Steve Johnson.
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